- Genesis BREYER P-ORRIDGE and Verne Dawson by
- Stanley Whitney by David Reed
- Katrín Sigurdardóttir by Eva Heisler
- Federico León by Richard Maxwell
- Federico León (en español) by Richard Maxwell
- Stan Allen by Nader Tehrani
- Rachel Kushner by Hari Kunzru
- Enrique Vila-Matas by Lina Meruane
- Enrique Vila-Matas (en español) by Lina Meruane
- Coleen Fitzgibbon by P. Adams Sitney
Interviews
- The Insult: “Shut up, you dirty greaser.” From Tejas byCarmen Boullosa
- Details Inside by T Cooper
- Clandestine Happiness by Clarice Lispector
- from Universe by Diana Hamilton
- Three Poems by Elena Alexander
- from Drawing Water by Eva Heisler
- Two Poems by Tom Healy
First Proof
- Portfolio bySeton Smith
Portofolio
Argument Over, Amounting
In edges, in barriers the tonal light of t
the one thing removed overemphasizes tonally
and you could hurry it, and it vanish and plan
You go out on an avenue, but may be taken in despite
your chordal list of hates, overcomings banished ready
receiving you from a darkened cone, the one a beat
behind the one you there are
Then the I not part of the you equation, but the
spider trying to build where it is written
vibrates tentative
I don’t want to talk to you about it anymore
crystal region in its light, there are failures and
there are failures
But it’s imperative, abrupt catch, that you sink the
final catch, trounced morning
this is awful but none other available, words reach
and visually fail to tie audibly retire
the pieces of the opening collision, and the reaches of
turning aside remind
I am hopefully
this is position
of the world overcome by
and by the wind takes our voice
the collateral one voice
after Diane Ward
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